17–02–2024
カッティングプロッターで薄い雁皮紙に数字をプリントし、ゆらゆら動くような煙のような質感を出した。背景のドーロイングは色で感情の変化を表す。背景には月の表記の下に生と死についての小説や詩をのせて作品タイトルである「愛する人の喪失をどのように悲しみますか？」について考えるようにデザインしました。
お葬式を連想させるお線香の煙をモチーフにして数字のデザイン、文字の読める程度で喪失の気持ちを表した。文字の隣に個人的におばあさんとの思い出のある日付を表記することで感情の流れをわかりやすくしている。
This calendar is based on the anniversary of the grandmother's death and uses text to express how feelings of loss change rapidly with the passage of time over the course of a year. I want to talk about the attitude of living with the daily feeling of death and life.
The numbers were printed on thin gampi paper using a cutting plotter to create a shimmering, smoky texture.The doling in the background uses color to represent changes in emotion. The background is designed to encourage the viewer to think about the title of the work, “How do you grieve the loss of a loved one?” by placing novels and poems about life and death under the moon symbol. The design is intended to encourage people to think about “How do you grieve the loss of a loved one?
The design of the numbers and the readability of the letters, with the motif of incense smoke reminiscent of a funeral, expresses the feelings of loss. The flow of emotions is made easy to understand by notating next to the letters the dates that I personally remember with my grandmother.
09–10–2023
Tシャツのデザインでは、こじかのシルエットを元気で自由な雰囲気で表現するための切り絵で制作しました。また、ポスターのデザインでは、運動会の情報や日程をわかりやすく伝えるために、大きく切り絵で作った「うんどうかい」の文字を中心に配置し、その周りにシンプルな文字で情報を伝えました。ポスター全体を通して、運動会が楽しく、参加者や来場者にとってわかりやすく必要な情報を取れるデザインを心がけました。
When creating T-shirts and posters for Kojika Kindergarten's Sports Day in Saitama Prefecture, I used cute cutouts to showcase the kindergarten's logo and text.
The T-shirt design features playful paper cutouts depicting Kojika's silhouette in a free-spirited style. For the poster, I placed a large "Undoukai" cutout at the center, surrounded by simple lettering to communicate the event's information and schedule clearly. The overall design ensures that participants and visitors can easily understand and enjoy the Sports Day.
27–08–2023
メインビジュアルでは、展示されている子供たちの笑顔の写真を中心に、周りには柔らかいトーンのカラーパレットを使用しました。また、子供たちの個性を表現するために、リズム感のあるようにブロックを配置し、ポジティブなエネルギーを感じさせるデザインとしました。
また、展示会場に訪れる子供たちの家族や友達が、その場でこの写真が載せているハガキを記念として持っていかれるように、一人も抜かず顔を乗せるようにしました。この展示をきっかけに子供たちが喜びや可能性を感じてもらえることを目指しました。
We made the main visual for a photo exhibition called "100 Smiles of Children with Disabilities." Three of us from the Design Department worked together, and I focused on designing the layout.
In the main visual, we used soft colors around the smiling photos of the children. To show each child's uniqueness, we arranged blocks in a rhythmic way, creating a design with a positive vibe.
To make sure families and friends could take home postcards with these photos as souvenirs, we included every child's face. Our goal with this exhibition was to share visuals that bring joy and a sense of possibility to the children.
24–08–2022
スマートフォン用のWEBページ
I designed the "Color Darkroom Usage Guide" during my time with the "Color Photography Club." The goal was to provide more accurate information on the oral instructions given to new club members regarding darkroom procedures. Emphasizing visual clarity for understanding the instructions, the guide was created using A4-sized data as a standard to ensure ease of printing for everyone.
WEB page for the smartphone
18–03–2023
同音同意（左）
字喪輿 ザ・サンヨ（右）：伝えたいが伝えない言葉を形にするというテーマで祖母の死という個人的な経験を「喪輿」に文字を載せた作品。
In the group exhibition collaboratively by three members of the Design Department, the main visual garnered significant attention. This visual expression aimed to highlight the distinctive personalities of each member through the use of color and alphabet, creating a visually striking effect. We employed a unique technique using pixels to portray the three designers who, while appearing to blend together, simultaneously exhibited clear and identifiable features.
Homophonic Agreement (Left)
Loss of Words – The Sanyo (Right)
18–03–2023
左上から時計周りで
1. 依存（의존 ） 気分（기분） 文化（문화） 関係（관계）
2. 元（모토） 一旦（일단） 微妙（미묘） 道路（도로）
3. 時間（시간） 約束（약속） 未来（미래） 簡単（간단）
One of the exhibited works in the "Pechakucha Kotoba Exhibition." For this piece, I collected Japanese and Korean words with similar pronunciation and meanings, designing characters that can be read in both languages. This work also delves into the exploration of how far the design of new words can be comprehended.
17–01–2023
"Ehon Ari" is a bookstore where children can become characters from picture books. The concept involves combining and selling picture books along with children's clothing. By wearing clothing resembling characters from the picture books, children can experience being in the world of those stories.
14–01–2022
The Plant Museum PLAMU offers a unique experience where visitors can interact directly with plants, setting it apart from conventional botanical gardens. The typography design of PLAMU takes on shapes resembling living creatures, adding a distinctive touch to the overall aesthetic.
A T-shirt design crafted for DJs who deconstruct music. The main focus is on a logo that combines the deconstruction of Chinese characters and Hangul. Additionally, there is a special T-shirt design featuring a mushroom character that symbolizes the deconstruction of everything, offered as part of a unique event.
29–12–2021
A music video created using the rotoscope technique. I edited and rotoscoped Jan Švankmajer's "Alice" (1988). The theme revolves around the process of an adolescent girl exploring and discovering herself.